死亡诗社(Dead Poets Society)× green to blue - FINAL_SWOLLOW/玩儿.mp3

[00:00.000]背景音乐：green to blue - Aurenth
[00:00.000]台词：死亡诗社（Dead Poets Society）
[00:10.375]Gentlemen, open your text to page 21 of the introduction.
[00:14.505]Mr Perry, will you read the opening paragraph of the preface
[00:17.917]entitled Understanding Poetry.
[00:21.054]'Understand Poetry by Dr J. Evans Pritchard, Ph.D.
[00:25.717]To fully understand poetry, we must first be fluent...
[00:28.303]with its metre, rhyme and figures of speech.
[00:31.241]Then ask two questions.
[00:32.875]One: How artfully has the objective of the poem been rendered?
[00:35.465]'And, two: How important is that objective?
[00:38.161]Question one rates the poem's perfection.
[00:40.728]Question two rates its importance.
[00:43.057]'And once these questions have been answered...
[00:45.115]determining a poem's greatness becomes a relatively simple matter.
[00:48.607]If the poem's score for perfection is plotted on the horizontal of a graph...
[00:53.123]and its importance is plotted on the vertical
[00:57.121]then calculating the total area of the poem...
[01:00.301]yields the measure of its greatness.
[01:05.961]A sonnet by Byron might score high on the vertical,
[01:10.057]but only average on the horizontal.
[01:13.147]'A Shakespearean sonnet, on the other hand
[01:15.393]would score high both horizontally and vertically,
[01:19.339]yielding a massive total area
[01:21.673]thereby revealing the poem to be truly great.
[01:25.349]'As you proceed through the poetry in this book, practise this rating method.
[01:29.103]'As your ability to evaluate poems in this manner grows
[01:32.677]so will... so will your enjoyment and understanding of poetry.
[01:42.310]Excrement.
[01:45.831]That's what I think of Mr J. Evans Pritchard.
[01:49.821]We're not laying pipe. We're talking about poetry.
[01:53.077]I mean, how can you describe poetry like American Bandstand?
[01:54.605]I like Byron. I give him a 42. But I can't dance to it.
[01:58.676]Now, I want you to rip out that page.
[02:02.611]Go on. Rip out the entire page.
[02:08.296]You heard me. Rip it out.
[02:10.173]Rip it out!
[02:13.161]Go on. Rip it out.
[02:17.207]Thank you, Mr Dalton.
[02:18.951]Gentlemen, tell you what. Don't just tear out that page.
[02:21.063]Tear out the entire introduction. I want it gone, history. Leave nothing.
[02:25.673]Rip it out! Rip! Be gone,
[02:27.745]J. Evans Pritchard, Ph.D.!
[02:30.127]Rip! Shred! Tear!
[02:32.187]Rip it out! I want to hear nothing but ripping of Mr Pritchard!
[02:36.051]We'll perforate it, put it on a roll!
[02:38.427]It's not the Bible. You're not gonna go to hell for this.
[02:43.094]Go on. Make a clean tear. I want nothing left of it.
[02:47.557]We shouldn't be doing this.
[02:49.035]Rip! Rip! Rip!
[02:50.809]Rip it out! Rip!
[02:52.727]Rip it! Yeah! Rip it out!
[03:00.099]-Rip it! -What the hell is going on here?
[03:08.201]-I don't hear enough rips. -Mr Keating.
[03:11.661]Mr McAllister.
[03:15.271]I'm sorry, I... I didn't know you were here.
[03:19.467]-I am. -Ah. So you are.
[03:24.707]Excuse me.
[03:27.815]Keep ripping, gentlemen.
[03:30.061]This is a battle, a war.
[03:32.661]And the casualties could be your hearts and souls.
[03:34.829]Thank you, Mr Dalton.
[03:36.607]Armies of academics going forward measuring poetry.
[03:39.783]No! We will not have that here.
[03:41.907]No more of Mr J. Evans Pritchard.
[03:43.385]Now, my class, you will learn to think for yourselves again
[03:46.717]You will learn to savour words and language.
[03:50.635]No matter what anybody tells you
[03:52.685]words and ideas can change the world.
[03:56.706]I see that look in Mr Pitts' eye...
[03:58.543]like 19th century literature has nothing to do with
[04:01.029]going to business school or medical school.
[04:03.047]Right? Maybe.
[04:05.433]Mr Hopkins, you may agree with him, thinking,
[04:07.111]Yes, we should simply study our Mr Pritchard...
[04:10.417]and learn our rhyme and metre and go quietly about the business...
[04:12.987]of achieving other ambitions.
[04:16.621]I have a little secret for you. Huddle up.
[04:18.873]Huddle up!
[04:28.539]We don't read and write poetry because it's cute.
[04:32.011]We read and write poetry because we are members of the human race.
[04:36.195]And the human race is filled with passion.
[04:41.141]Medicine, law, business, engineering:
[04:43.415]these are noble pursuits and necessary to sustain life.
[04:47.591]But poetry,
[04:48.999]beauty, romance, love...
[04:53.171]these are what we stay alive for.
[04:56.059]To quote from Whitman.
[04:58.461]O me, O life of the questions of these recurring.
[05:03.141]Of the endless trains of the faithless.
[05:06.063]Of cities filled with the foolish.
[05:08.335]What good amid these, O me, O life?
[05:11.699]Answer: That you are here.
[05:15.611]That life exists and identity.
[05:19.933]That the powerful play goes on,
[05:21.967]and you may contribute a verse.
[05:26.585]That the powerful play goes on,
[05:28.888]and you may contribute a verse.
[05:36.631]What will your verse be?
[05:43.585]歌词翻译贡献者：C2_CHILL